Erdem, Cagri; Lan, Qichao; Jensenius, Alexander Refsum. “Towards a Restrained Musical Expression in the ‘Air’: Exploring Shape Relationships Between Effort, Motion and Sound in Electric Guitar Performance.” Special issue on  Music, Mind & Technology: Exploring the Embodied Musical Experience, Human Technology Journal, 2020. (In Review)


Erdem, Cagri; Lan, Qichao; Fuhren, Julian; Martin,  Charles P.; Torresen, Jim; Jensenius, Alexander Refsum. “Towards Playing in the `Air': Modeling Motion--Sound Energy Relationships in Electric Guitar Performance Using Deep Neural Networks” SMC, 2020. (Best Paper Award)


Erdem, Cagri, and Alexander Refsum Jensenius. ”RAW: Exploring Control Structures for Muscle-based Interaction in Collective Improvisation." NIME, 2020. (Accepted)


Jensenius, Alexander Refsum and Erdem, Cagri 'Gestures in Ensemble Performance’ in Together in Music: Participation, coordination, and creativity in ensembles, Oxford University Press, 2020. (In Press)


Alarcon Diaz, X., Boddie, P., Erdem, C., Aandahl, E., Sukken Andersen, E., Dahl, E., ... & Refsum Jensenius, A. (2019). Sensing Place and Presence in an INTIMAL Long-Distance Improvisation. Journal of Network Music and Arts, 1(1), 3.


Erdem, Cagri, Katja Henriksen Schia, and Alexander Refsum Jensenius. "Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance."  NIME, 2019.


Alarcón Díaz, Ximena, Victor Evaristo Gonzalez Sanchez, and Cagri Erdem. "INTIMAL: Walking to feel place, breathing to feel presence."  NIME, 2019. (Pamela Z Award)


Erdem, Ç., Çamcı, A., & Forbes, A., Biostomp: A Biofeedback System for Embodied Performance Using Mechanomyography. In Proceedings of the International Conference on New Interfaces for Musical Expression, 2017. (pdf)


Erdem, Ç. (2011). Siyaha Övgü. Istanbul, Turkey: 6:45 Publishing.